Spellbound: Witches, Witchcraft, and
Witch Hunts
Spring Semester 2024
HCOL 40000, 674
Wednesday, 4 PM, Sadler 421
And now we have with Horror seen the Discovery
of such Witchcraft! An Army of Devils is
horribly broke in . . . and the Houses of Good People there are filled with the
doleful Shrieks of their Children and Servants, Tormented by Invisible Hands,
with Tortures altogether preternatural.
--From Wonders of the Invisible World,
Cotton Mather, 1693
This colloquium will
explore the cultural phenomena of witches, witchcraft, and witch hunts with a
special focus on the 1692 Salem witch hysteria.
References to witch hunts are now commonplace, and this colloquium will
examine how such references evolved from actual historical events and their
printed histories. Belief in witchcraft
and magic was widespread for centuries and in many ways supplemented standard
religious beliefs. Moreover, belief in witchcraft
remains prevalent today. Wicca, also
known as Pagan Witchcraft, is a fast-growing belief system that has countless
followers worldwide, and Salem—once a site of tragedy—is now known as the Home
of Halloween and has a month-long annual celebration culminating in a witch
parade viewed by thousands. Far from
being hunted down and eradicated, witches and witchcraft are now mainstream and
marketable. Yet, tragically, in certain
parts of the world suspected witches are still being hunted down, persecuted,
and even murdered.
Reading both primary and
secondary sources, this colloquium will discuss historical beliefs in
witchcraft and, as a specific case study, closely consider the infamous—yet
still baffling—events in Salem, where nineteen people were executed, another
tortured to death, and more than a dozen died in prison. Since 1692, countless writers have offered
interpretations, yet there is still no single explanation to understand why, in
a matter of months, several hundred people were accused of witchcraft in such a
small geographic area.
Witchcraft is also a
commercially successful subject in numerous popular media, such as fiction,
television, film, and now social media, and this colloquium will also study
such popular depictions of witches for market consumption, reviewing well-known
portrayals from The Wizard of Oz to Bewitched to Harry Potter and
beyond.
Course
Outcomes:
--a general familiarity with the historical
development of belief systems in witches, witchcraft, and witch hunts,
particularly as the phenomena and events took place in Europe from the
fifteenth to seventeenth centuries
--a general familiarity with the historical
events that took place in the village of Salem in 1692, particularly regarding
gender issues and social hierarchy
-- a general familiarity with selected
primary and secondary texts discussing witches, witchcraft, and witch hunts
with special focus on the Salem events and various interpretations of these
events
--a general familiarity with depictions of
witches, witchcraft, and witch hunts in art and popular media from the
eighteenth century to the present, particularly in film, television, and social
media
Course
Outline:
Wednesday, January
17
Introduction to
course outcomes and requirements
Cotton Mather’s
rhetoric (from Wonders of the Invisible World, 1692)
Martha
Carrier’s trial, handout (from Wonders of the Invisible World, 1692)
Wednesday, January
24
Witches in
Popular Media, Popular Media Preview discussion
Two Short
YouTube videos
A History of
Magic, Witchcraft, and the Occult, 62-119
Wednesday, January
31
Witches in
Popular Media, Popular Media Preview decisions
A History of
Magic, Witchcraft, and the Occult, 122-189
Wednesday, February
7
Guest Lecture,
Professor Marco Roc, Hoodoo, Voodoo, and Caribbean Occult
A History of
Magic, Witchcraft, and the Occult, 192-245
Witchcraft in
popular media
Wednesday,
February 14
Valentine’s
Day, Ash Wednesday, Female Demons
A History of
Magic, Witchcraft, and the Occult, 248-301
Witchcraft in
popular media
Wednesday, February
21
Witchcraft,
A Short Introduction, 1-44
Witchcraft in
popular media
Wednesday, February
28
Witchcraft,
A Short Introduction, 45-77
Witchcraft in
popular media
Thursday, March
6
Witchcraft,
A Short Introduction, 78-110
Witchcraft in
popular media
Wednesday, March
13
SPRING BREAK
Wednesday, March
20
The Salem
Witch Hunt, 1-31, 42-43
Witchcraft in
popular media
Wednesday, March
27
The Salem
Witch Hunt, 49-61
History Channel
video, Salem Witch Trials
Witchcraft in
popular media
Wednesday, April
3
The Salem
Witch Hunt, 67-94
Witchcraft in
popular media
Wednesday, April
10
The Salem
Witch Trials, 128-140
Witchcraft in
popular media
Wednesday, April
17
Salem Today,
Home of Halloween
“Redemption,”
247-271 (handout)
Witchcraft in
popular media
Wednesday,
April 24
Witchcraft
in the Southwest, 54-94
Witchcraft in
popular media
May 1 (last day
of classes)
Class
Performance—A Salem Witch Trial
May 8 (Final
Exam Day)
Final
Presentations
Primary
Texts (available in the
bookstore and elsewhere)
Witchcraft: A Short Introduction, Malcolm
Gaskill, 2010
A History of Magic, Witchcraft, and the
Occult, DK/Random House Penguin, 2020
The Salem Witch Hunt, Richard Godbeer,
2018
Additional Readings will be Taken from the
Following Texts:
Wonders of the Invisible World, Cotton Mather
1693
A Salem Witch: The Trial, Execution, and Exoneration
of Rebecca Nurse, Daniel A. Gagnon, 2021
Witchcraft in the Southwest, Marc Simmons,
1980
Course Requirements:
1)
Attendance
and Participation. Discussion and participation are essential
requirements of this colloquium. You are required to take an active part in the
colloquium and to contribute to its success.
In every class we will discuss the assigned readings and related issues,
and in nearly every class there will be some sort of in-class activity (brief
writing assignments, group work, assigned research and discussions). Anyone absent will not receive credit for
these activities. Missing more than
three classes during the term will result in failure.
2) Familiarity
with the Texts. A
reading knowledge of the assigned texts is crucial and expected. Please read. I have not assigned a ton of reading, and I
will expect a familiarity with the assigned readings for every class.
3) Journals. Throughout the semester you
are required to keep an online journal (a blog) and post a minimum of ten entries—five before Spring Break, and five after. In these entries you are asked to comment
specifically on your learning experiences—particularly about what you’ve read in
this course, but also more generally in all of your learning experiences (both
inside and outside of classrooms). In
response to our assigned readings and class discussions, please describe what
you found interesting, useful, and/or relevant in your learning experiences.
You are also welcome to comment on what you did not find to be interesting,
useful, and/or relevant. What you write
is up to you, but I ask is that you honestly reflect on your learning
experiences and assess the value of these experiences in terms of your own
life. Entries
should be a minimum of 1 page in length.
Where you keep your journal is up to
you. I guarantee the easiest site to
create and maintain a blog is blogger.com, though it’s a twenty-year-old
platform. WordPress and Wix are quite
popular but require learning curves.
Recent additions are Squarespace, Web, and Webador. If you are already familiar with it, Tumblr
is a possibility. My recommendation is
still blogger because it’s the easiest.
I will create a central class blog linking all your blogs.
My primary interest is having you keep a
record of your learning experiences. I
encourage you to reflect on the relevance of these experiences.
4) Popular Media Preview Assignment.
Throughout the semester we will review a
number of popular media depicting witches, witchcraft, and witch hunts (primarily
films, television, and social media—Facebook, YouTube, Instagram, Pinterest,
and TikTok). Students will work in teams
of 2 to preview, introduce, present, and discuss the witch/witchcraft/witch
hunt depictions in terms of our course’s subjects and themes. Each team will preview its film, tv show, or social
media site in advance, choose up to 20 minutes of video, and then prepare brief
introductions for each of the sequences they’ve chosen. The primary focus of
their introductions and discussions should demonstrate how witches/ witchcraft/witch
hunts were dramatized (marketed) for popular audiences and as well how these
depictions compare to the historical representations in our primary texts. Teams may also offer critical assessments on
their media’s overall quality, representations, techniques, and relevance. Instead of rotten tomatoes, our class will
award broomsticks. Each team will
present twice, and at least one of these will be on a film.
5) Witch Trials. At the
heart of the Salem hysteria were the witch trials that resulted in the hanging
of 19 people and the deaths of more than a dozen more who died in prison—and
one person who was tortured to death. As
we will be reading historical and popular narrations of these trials, it seems
only fair that we should hold our own witch trial. Midway through the semester students will
choose a slip of paper out of a hat to discover their historical roles. These roles will include an accused witch,
judges, prosecutors, and witnesses. Once you have your role, you will have the
rest of the semester to prepare for the trial.
Some knowledge of the historical trials is expected. The witch trial will take place on May 1,
our last class day.
6) Final Presentation. For
the final course assignment, teams of 2 students will be required to create and
present a brief video (8-10 minutes max) that offers a concluding reflection of
the team’s thoughts, observations, and experiences throughout the
semester. There is no specific format or
formula, but teams are asked to reflect on what they experienced as learners
that was relevant. Teams may reflect on
what they liked or disliked, what they were fascinated with or repelled by—and
especially what they think were the most relevant things they learned. These videos should be engaging and
creative. Ultimately, each team must
create a video responding to one overall question: What are you going to take
away from this course?
These videos will be shown on May 8, starting at 2 PM (our designated
final exam slot during finals weeks).
7) Never Use the Non-Word “Very.” For
the rest of the semester, at least in our class, the use of this useless non-word
is forbidden. This non-word is used far
too frequently, and people who use it a lot tend to demonstrate a lack of
vocabulary.
Grading
Scale:
Attendance and participation 10%
Journals 40%
Popular Media Previews 30%
Witch Trial participation 10%
Final Presentation 10%
Please Note: TCU Online will be used for archiving
course documents and for grading, but our central course blog will used for
online discussions.
Dan Williams, PhD
Director, TCU Press, TCU Honors
Professor of Humanities
Library 1238 and TCU Press
(3000 Sandage)
817-257-5907 office;
817-239-1376 cell
Office Hours, every Friday
11 AM to 1 PM, and other hours by appointment.
I am happy to meet in person or Zoom. Unless other arrangements are made in advance, I will be available at TCU Press.
d.e.williams@tcu.edu
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